Well, that happened. And it was better than it had any right to be. I’m still not quite sure how to talk about it without sounding insufferably enthusiastic. But it was a magical night, from all perspectives. We inhabit a long-standing, venerable and demanding art form. The pressure to hit all of the marks is
Read MorePosts Tagged: traviata
Traviata Liveblog: 42 Hours to Curtain
Overnight rehearsal #2. Projections, props, light cues. Assistant stage managers “light-walking” until the sun comes up. Putting the Keurig machine into motion at 1:45am. Quiet in the theatre, with middle-of-the-night slow modulated talking into headsets.
Read MoreTraviata Liveblog: 49 Hours to Curtain
We’re in the Kennedy Center Concert Hall for the “Sitzprobe” – when we bring together all musical elements: National Symphony Orchestra, Washington Chorus and Wolf Trap Opera. I’m a musical animal, having entered this business through my life at the piano. The shaping and shepherding of lights, costumes, sets and projections is exciting to be
Read MoreTraviata Liveblog: 68 Hours to Curtain
Ian Anderson loads out of the Filene Center, and Verdi moves in. Welcome to Wolf Trap. In order to tech opera – to focus and cue lights and projections – you need darkness. Ergo, overnight rehearsals are a reality of amphitheater opera. The obvious negatives (goodbye, normal sleep cycle…) are mitigated by adrenaline and by
Read MoreTraviata Liveblog: 76 Hours to Curtain
Leaving the Rehearsal Room… The team is completely assembled for the very first time, and the production designers (costume, scenic, projections, lighting, wigs, makeup) watch a run-through. It’s 4pm on a Tuesday, the singers are working through the opera in street clothes in a regular room. And you still cry when Violetta dies. Rehearsal ends,
Read MoreWTC 1976: La traviata
Beverly Sills returned for her third consecutive season as a guest artist, this time as Violetta in Verdi’s La traviata. Joining her were Henry Price as Alfredo and Richard Fredericks as Germont. Supporting roles were sung by members of the young artist roster. Julius Rudel conducted and Tito Capobianco directed, in a production from the
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