This post in Anne Midgette’s Classical Beat blog (on the topic of this NY Times review) has stayed with me for several days, but I’ve had a difficult time deciding why. It is not my intention to take on the writer, for I have no definitive answers of my own. Yet there’s something here that won’t
Read MorePosts Tagged: audiences
The Vibe in the House
On Sunday afternoon, we turned the theatre over to our studio singers, fellows and interns. 75 minutes of scenes from 7 operas in 4 languages were sung, played, supertitled, and stage-managed by folks whose average age couldn’t have topped 23. The rest of us cheered, enjoyed, and did the best we could at house management.
Read MoreThe Polls Have Closed
Each of our four Zaide audiences chose their own ending to Mozart’s unfinished opera. By the Numbers For the statisticians out there, overall voter turnout was 90%. And of the three available endings, audiences chose: ENLIGHTENMENT (simple, happy ending) won twice and received 35% of the total vote over all performances. FINALITY (tragic ending) won
Read More“Happy ending or sad? Status quo or unexpected plot twist?”
Anne Midgette previews Zaide in today’s Washington Post: Wolf Trap Lets Audience Choose the Ending to Mozart’s Unfinished Opera Zaide. Completely with amazing photo by WTOC conductor and Wolf Trap Opera Studio Manager Eric Melear! 4 shows, starting tomorrow night. Sunday 6/13 is sold out, but some tickets are available for tomorrow’s opening night, and
Read MoreWolf Trap Lets Audience Choose the Ending to Mozart’s Unfinished Opera
June 9, 2010 Wolf Trap Lets Audience Choose Ending to Mozart’s Unfinished Opera The Washington Post previews our new production of Zaide, which opens our 2010 summer season this weekend! Click Here.
Read MoreWhere to Begin?
If you aren’t already following Adaptistration‘s annual Take a Friend to the Orchestra blog series, you should check it out. I contributed a few years ago, and every year Drew taps a terrific range of writers to talk about their experiences with and advice on introducing people to our world. If you have just a
Read More“Special”
Special (Merriam-Webster): distinguished by some unusual quality. Life’s a Pitch just finished a week hosting a virtual panel on when and how artists, managers, journalists, presenters and publicists single out musicians for being “special” in their promotion and career-building efforts. Amanda’s summary of the posts by her 4 guest bloggers is here. I hesitate to
Read MoreJanuary: When the Music Goes into Hiding
I wear my Marketing and Box Office hats a lot in January. (Good thing, too, for it’s bloody freezing around here. I need all the clothing I can find.) All of the music that surrounded us during the audition and casting process has temporarily disappeared to make way for writing copy and selling tickets. So,
Read MoreIt Just Feels Like a New Decade
The happiest of new years to one and all! Strictly speaking, I know it’s not a new decade, but it feels like it is. And that’s good. I’m back at my desk after a miraculously restful 11 days away from work. (Thank, you Wolf Trap Foundation, for the immensely sane and merciful act of shutting
Read MoreOperascape, and Over & Out
The perfect positive storm for the end of our season – Puccini’s Boheme, Operascape production, NSO, Wolf Trap Opera, and some of the best weather of the summer. Resulted in standing ovation from just under 6,000 folks – a huge number of them new opera-goers (just under 4,000 in the house, and almost 2,000 on
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