Today, a few words from Sheri Greenawald, Director of the San Francisco Opera Center, in response to my email asking for anything (or 2 or 3 thingsā¦) in the way of advice SFOC would like to give to the folks who will sing for them this fall. (Merola’s audition application info is here. They’re heading
Read MorePosts Tagged: auditions
Are You Ready?
A blog question and answer from last season: Q: I had a teacher recently tell me not to apply to studio programs at larger companies (such as Wolf Trap) because, in her belief, if a young singer is heard by a large company before they are ready to be considered a full-fledged professional, then the
Read MoreAudition Season: Forms & Fees
I’m supposed to talk about paperwork (audition applications) today, and I will. But before we shut down our right brains, I want to call your attention to this blog post by Seth Godin. One of the great things about Seth’s posts is that they are rarely long, typically under 500 words. So visit the link.
Read MoreYou Never Really Enjoy It; You Just Get Better at It
I was watching TV the other night and saw an ad for an upcoming fall series. One of the characters was talking about coming to terms with something distasteful. (How’s that for specificity? I can’t remember the show or the subject material…) Anyway, she said, “You never really enjoy it; you just get better at
Read MoreThe Fall 2009 Audition Mini-Course
A few weeks off from the examined life has restored a little clarity. I’m resisting getting back on the blogging horse because I know how intense this next part of the cycle is, and each year brings a bit more ambivalence about documenting and engaging in dialogue about the audition process. Yet, it’s unavoidable that
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