As we prepare for our California auditions, I thought this would be a great opportunity for a guest post. Joshua Winograde, Artistic Planning Manager for LA Opera, is a great friend and colleague of the WTOC, and he spent several chunks of his career so far with us – as a Filene Young Artist, as
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Expert Friday: Tips from Texas
On our final expert Friday, some combined advice from Kathleen Kelly and Laura Canning of the Houston Grand Opera Studio: Don’t Second-Guess! We like hearing you sing; we know auditioning is hard and we want you to do well. Don’t try to second guess what I want you to sing, or wear, or say. Just
Read MoreExpert Friday: Chicago
It’s a good thing it’s Expert Friday, because I have been rendered completely inarticulate by the last 50 hours of application processing. Can’t even hold a simple phone conversation. Have no English. David Holloway is the Director of the Apprentice Singers Program for Santa Fe Opera and Head of the Voice Department at the Chicago
Read MoreExpert Friday: Enjoy Yourself!
A few choice words of audition advice from Darren Keith Woods, General Director, Fort Worth Opera & Artistic Director, Seagle Music Colony. (And, it just so happens, an alumnus of the WTOC!) The main piece of advice I would give to a young singer is to sing what they sing best and do not play
Read MoreExpert Friday: East & West Coast
Part of a weekly series, in which my colleagues responsed to an email request for anything (or 2 or 3 things…) in the way of advice they would like to give to auditionees. First, Don Marrazzo, Director of Casting & Artistic Operations at Glimmerglass Opera. I have always felt that audition “do’s and don’ts” can
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