Although it seems as if we’re looking ahead before we’ve even finished this season, we actually operate way behind the typical scenario. Most companies have known for many months what their 2006 seasons will comprise. Although we’re laying the groundwork for the singer auditions in November, we won’t know what our 2006 repertoire will be until the very end of 2005. That leaves a painfully small window of opportunity for our artistic teams; by the time we hire directors and designers, there’s often less than 3 months before plans and renderings are due. But we persist, because waiting until we hear this year’s “crop” of singers before choosing our repertoire means that we have the chance to hire the best people without having to worry how their voice types and talents will shoehorn into predetermined repertoire.
But I digress. Seven cities this fall, including, for the first time since 2001, Seattle, WA. (The regular stops are Philadelphia, New York, Cincinnati, Chicago, Houston, and Vienna, VA.) The application will go up on the website in about 2 weeks, and the first completed forms will arrive by the beginning of September. And so it goes. I’m already being asked if I’m going to do an audition blog again. The idea of it makes me tired, frankly. (I’m not doing such a hot job at getting these postings up in a timely fashion…) But maybe I’ll have a renewed sense of vigor and purpose and a delusional burst of energy and goodwill. Let’s hope not.