Posts Categorized: Blog

WTOC 1984: Albert Herring

I turned up no artist photos from 1984’s Albert Herring – just a handful of snapshots of the set.  Britten’s comic opera was conducted by WTOC Music Director Richard Woitach and directed by David Ostwald.

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WTOC 1984: The Coronation of Poppea

After the success of the previous season’s La calisto, the Company mounted another baroque opera at The Barns in July 1984 – Monteverdi’s Coronation of Poppea. With its numerous roles, it was a wonderful vehicle for the resident ensemble of young artists. The cast boasted now-General Director of Fort Worth Opera Darren Keith Woods as

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Wolf Trap Opera Company 1983: Overview

Other than a showcase performance at the Meadow Center, the Company’s 1983 activities were exclusive to its relatively new home at The Barns. In addition to full productions of Donizetti’s Tutor’s Dilemma and Cavalli’s La calisto, patrons enjoyed a cabaret-style performance of Kurt Weill – After Dark, which wove materials from Mahagonny and Street Scene.

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WTOC 1983: La calisto

Cavalli’s La calisto marked the Company’s first return to the baroque since the 1977 L’egisto. The latter was on the big outdoor stage, but the 1983 Calisto enjoyed the intimacy of The Barns. The late Joseph McLellan wrote in The Washington Post, “[Calisto‘s] plot is a running battle between the sublime and the (intentionally) ridiculous…

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WTOC 1983: The Tutor’s Dilemma

Donizetti came to The Barns in August 1982, in an English version of L’aio nell’imbarazzo. Conducted by WTOC Music Director Ricard Woitach and directed by Robert Darling, this production included a young mezzo named Jennifer Larmore in the role of Leonarda. * *

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1982 Wolf Trap Opera Company: Overview

1982 was a difficult summer, for in the wake of the big Filene Center fire, nothing could be taken for granted. Yet the Company had one of its most ambitious seasons to date, with performance in all three venues – ranging from an adventurous sampling of chamber operas in the new Barns at Wolf Trap

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WTOC 1982: King Roger

Karol Szymanowski’s only full-length opera, King Roger, was performed in a concert version at the temporary Meadow Center in August 1982. it was only the second time this opera had been performed in the U.S., and it was scheduled in celebration of the 100th anniversary of Szymanowski’s birth. (I stumbled onto this dissertation recently –

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WTOC 1982: Regina

Elizabeth Taylor was quite active at Wolf Trap in these early years*, and she must’ve been thrilled to see the Wolf Trap debut of Blitzstein’s Regina – an opera based on the play in which Miss Taylor had so much success, Lillian Hellman’s The Little Foxes.  (*Elizabeth Taylor is still an director emeritus of the

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WTOC 1982: Cosi fan tutte, Lo speziale, L’histore du soldat, & Dr. Miracle!

The Opera Company moved into its new home at The Barns in the summer of 1982, with productions of Cosi fan tutte and a double bill of Haydn’s Lo speziale (seen at left) and Stravinsky’s L’histoire du soldat. They also mounted Bizet’s Dr. Miracle at the Children’s Theatre-in-the-Woods (photo below) and performed in a production

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