Posts Categorized: 2017 Season

Hi-ho, Four of a Kind!

Today and tomorrow, we are fortunate to hear from Steve Blier of the New York Festival of Song. On today’s NYFOS blog (No Song is Safe from Us), Steve shares his excitement about his upcoming Four of a Kind performances at The Barns: Gershwin: Hi-Ho!  

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Getting Ready to Listen

The first week of rehearsals for Listen, Wilhelmina! is in the books. Ranger Nat and wombats Winston, Wallis and Wilhelmina will perform this brand new opera for 3,000 preschoolers in mid-May. (And you can catch a show – with or without a preschooler in tow – in July!) I mentioned to librettist Kathleen Kelly and composer David

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Christmas in April

One of the best things about April is the design deadlines. (Well, maybe not from the perspective of the designers, but…)  Every few days brings new “gifts” to be unwrapped – a notification that costume sketches are ready for download or set model photos are waiting to be viewed. From here on out, the shows

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A Supertitle Sunday

My Easter Sunday was probably not like yours. In my down time yesterday morning (I’ve been a church musician for 47 years, so this isn’t my first rodeo…), I tried to catch up on work by writing supertitles. But it was a little disorienting to sandwich Scarpia between services, and translating Tosca while in a church does create

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From 0 to 60*

Just about 12 weeks ago, we were fresh off our fall audition tour, staring at an exciting and maddening void. No rep planned, no performances scheduled, no one hired. And somehow, tomorrow we go on sale. 3 opera productions on our main stages, 2 additional productions in exciting new places, a great 10th anniversary scenes program for our Studio

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Tosca: In Her Own Words

Tickets for Tosca and the rest of the 2017 season go on sale Saturday (3/18) at 10 am. Today’s inspiration comes courtesy of soprano Alexandra Loutsion, who sings the title role in our July 14 production on the big stage. What is it like to prepare an iconic role like this? How does Alex reconcile the psychological

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Wolf Trap Does Glass@80

Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times, and the musical world marks his 80th birthday in 2017. WTO is happy to join in the celebration with two productions, as last fall’s audition tour included an unusually strong slate of singing actors for whom this idiom is a

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Touchstone: The Recipe

Many rarely produced serious operas by Rossini have enjoyed recent outings in the U.S.: La donna del lago (Santa Fe and The Met), Ciro in Babilonia and Aureliano in Palmira (Caramoor), and Mosè in Egitto (NYCO) have been among them. But La pietra del paragone (The Touchstone) has been largely neglected*, and we’re about to change that. As always, the path to this show is

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