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If you don’t like the weather…

… wait a few minutes? Is that the adage? With a minor adjustment, it probably applies to any small arts organization. There are two full-time and one part-time employees administering the Wolf Trap Opera Company year-round, and that means that every day brings a new challenge. The “off” season is a whirlwind of non-production related

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Opera at the improv

It’s July, and time to start working on “Instant Opera!”, our first appearances at Wolf Trap’s Children’s Theatre-in-the-Woods (http://www.wolftrap.org/performances/woods.html) since the late 1980’s. The old format (in which I participated as a pianist) involved taking staged one-act operas to the “TITW”. The average attendee is probably about 7 years old, and the one-acts, while a

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Cinderella lives!

We’ve been anxiously awaiting this day, for it marks a turning point. The last 2 weeks have been full of the difficult work of changing our upcoming Cenerentola production into a concert staging. Ticket exchanges and refunds, donor notifications, disheartening calls to artists and staff. Today we began to rebuild. Director Garnett Bruce returned from

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It’s all about the clothes

Full disclosure would require that I admit I know almost nothing about costumes. It’s one of those areas where I pray that I hire the best designers for the job, for it would be disastrous were I to meddle with their work. Timm Burrow did a fabulous job on Sweeney, and now Beth Clancy (new

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Palate cleansing

That’s what they say about Mozart. And all of those seemingly extreme metaphors are right. A cleansing of the palate. A refreshing spring shower. As much as I love all various and wonderful kinds of music, when you’ve been away from Mozart for a while, you have to admit that the coming home is pretty

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Movin’ on to Mozart

Final Sweeney. Great audience for my pre-show talk and for the show itself. Arrival of the rest of the summer’s company, chomping at the bit to start rehearsals tomorrow for Giovanni and the Murder & Mayhem NSO concert. Lots of transportation excitement; everyone finally arrived safely and delivered to local housing assignments. Lovely cast party.

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A grown-up concert

Steve called it a “grown-up” concert. Tonight’s Latest Word recital. (See posts from earlier in the week for details). Complete with singers whose musical maturity exceeded our expectations and surprised even themselves, and an audience that was willing to dig deep and concentrate fully. The program presented some logistical challenges, performed as it was on

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The world of audience feedback

Bernstein and Gershwin with the NSO in the morning (gotta love those West Side Story dances!), and more Sondheim at night. The range of patron responses to our little crossover experiment at The Barns is falling into four categories. 1) Love Sweeney and enjoyed the show; 2) Love Sweeney and hate what we’ve done with

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Opera-free zone

No opera today. Large doses of symphonic pops (Marvin Hamlisch and the NSO – rehearsal in the morning and show in the evening) and a dress rehearsal / work-through of the Latest Word concert. Great stuff on the latter. I’m a sucker for poetry (even though I’m not exactly knowledgeable), and getting to revisit Coleridge,

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High risk, high reward

Lots of work being done this week to prepare for Saturday evening’s Latest Word concert. Steven Blier’s been here since Sunday, and four of our singers have been digging into 2 hours worth of the best of the song literature from the last couple of decades. Rorem, Bolcom, Corigliano, Guettel, Musto, Gordon, Moravec and more.

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